Quote:
Originally Posted by OPI
Its Like i said, to have more control. Its so your kicks wave form isn't determining the outcome of the compressor (unless thats what you want of course). But Then you can use the compressors attack and release controls to shape further in more detail. And Using reacomps sidechain filters does not effect the length of the wave form so much. I simply cant get i want by using the kick routed to the master as a trigger. The music im working on is sidechain heavy. Having 12db of gr is not rare in my case. If side chaining is going to be a prominent and obvious feature in my tracks, i need it to shine with perfectness
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But as far as I know, sidechaining with a kick drum track is used in order to tame concurrent kick and bass guitar transients, so the hi-hat track can't be a substitute for this. I don't really know about sidechaining the entire mix, though. Maybe he's looking for a different effect.