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Old 07-15-2019, 11:14 PM   #7
Judders
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Join Date: Aug 2014
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I remember David Nahmani, the top Logic teacher guy, when the whole extreme sidechain thing started in house music, saying that he'd visited a few big producers who simply wrote out level automation to achieve the effect. No messing around with routing to aux tracks and fine-tuning compressors or shifting sidechain key tracks around by milliseconds.

You can shape the attenuation exactly how you want, and time it how you want (though ReaComp is ahead of the game - pun intended - there with its lookahead feature).
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