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Old 05-16-2018, 05:25 PM   #39
Judders
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Join Date: Aug 2014
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I think it's easier to think of overtone harmonic partials as musical intervals.

Do you want octaves? Go for even.

Want fifths? Go for odd.

Want fourths? Do both.

It is the fifths added by odd harmonic partials that make some chords sound disgusting when played through distorted guitar; because dissonant overtones (in relation to the chord) are being amplified and clashing with the fundamental pitches of the chord.
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