Quote:
Originally Posted by innuendo
In that setup with Behringer, you'll need to work with a constant sampling rate if you want to clock the Behringer to the Profire. Since you won't be able to change the sampling rate from software with hardware following.
Otherwise, you'll need to clock you Profire to Behringer. Which might not be a great idea... I don't know for sure what's up with this specific Behringer product, though. Maybe it's golden. Anyway it's better to clock a low-end converter to itself rather than to another source. AFAIK.
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I'm planning to use the Behringer as primary sound card for Pro Tools, and clock the profire to the projectmix so I have a few additional outputs (and inputs). All of my sessions are at 24 bit / 48 kHz so I shouldn't have to change things around all too often.