Quote:
Originally Posted by stevewisnoski
somehow, I wound up with this matrix this morning. as I understood tod, only the aria players should be sent to the master/parent. Notice in this shot, the diagonal line now is going to the aria player down, and let me tick the master/parent solid colored squares on the aria player slots, both on the far left now. I am confused, as I though the midi tracks "should not" be sent to the parent. Regardless, with this configuration, the file sounds good, only one glitch, I can't get rea eq to work on channel 11, but it works on all other channels.
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Yes, your project will work the way you have it set up, however, you're not using your Aria player outputs at all, except they are routed to the reverb, so I guess that's where you're getting your reverb.
It looks to me like tracks 2 thru 17 are the audio outputs for Aria player #1 and tracks 19, 20, and 21 are the audio outputs for Aria player #2. If that's the case, then you're not really using your outputs to there best advantage. In other words, FX will do nothing and have no affect except on the reverb.
Quote:
Originally Posted by stevewisnoski
Well, here's what I rendered using the matrix shown above. Reaper did a great job of honing those channels into something that sounds pretty realistic. I am going to try again with another 19 channel file, using 2 instances of the aria player, and see if I can retain the skillset. Again, my only goal in Reaper now, is get the channels set up correctly in reaper, use eq on each channel, and mix the compositions. I was able to use "tal III reverb" plug in as a verb bus.
Thanks again fellows.
https://soundcloud.com/steve-wisnosk...-gypsy-caravan |
That doesn't sound too bad Steve, heh heh, I can tell you're having fun.
