1. When a Mute envelope UNMUTES, it's cutting off the transient at the location of the unmute point.
2. When a Mute envelope MUTES, it's letting through the transient at the location of the mute point.
Quick test -- if you mute a drum loop you'll get a CLICK (a bit of the transient)at the mute point, and if you unmute you'll get NO TRANSIENT at the unmute point.
It's like the Mute/Unmute behaviour kicks in ever so slightly after the point instead of AT it. I get it -- its an instantaneous change, so it can't be BOTH Mute and Unmute at the same time, but the PRIORITY should be that of the envelope point! It seems reversed right now.
Does this make sense? I can post examples, it's definitely consistent behaviour (easiest to hear with drums or anything with strong transients).
Quote:
Originally Posted by Justin
This is not specific to a prerelease, and should be moved to the BR forum.
Mute envelopes have a short fade when transitioning state (to avoid clicks), which starts at the transition point. This fade length is set in prefs/audio.
If you want perfect sample-level control over the envelope, you should probably use a volume envelope instead.
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[moved from PR forum]