If you are into atmospheric and dark soft sample packs, at $40 this is pretty much a no brainer.
Not that it wouldn't sound cool, but in timbre-based music it's quite meaningful difference whether you create your own timbres or just slap some samples on tracks and call it your own.
Not that it wouldn't sound cool, but in timbre-based music it's quite meaningful difference whether you create your own timbres or just slap some samples on tracks and call it your own.
Perhaps if you are a "real" artist..... I submit music for possible licensing opportunities, and while my music would probably have more integrity (and would be cooler) if I had created everything form "scratch", I would also probably not complete even half of what I am able to.....sad but true. I bet many larger movie scores are not all "original" in this way..... sadder but truer......
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The Sounds of the Hear and Now.
I see absolutely no problems in using whatever efficient methods for producing utility music like that- your goal isn't really to express your unique artistic ideas, but to make something useful for someone else, targeted to a wide group of end listeners.
Uniqueness probably doesn't have much real value in that context.
Note that the listeners don't really care or know either way, it's more of a philosophical/method question with no consensus even in the ambient community. It's a genre where it's completely possible to produce a credible piece just by connecting three plugins- an algorithmic sequencer, sample player like above and a reverb, and record the output for 11 and half minutes... but is this creating or composing music?
I see absolutely no problems in using whatever efficient methods for producing utility music like that- your goal isn't really to express your unique artistic ideas, but to make something useful for someone else, targeted to a wide group of end listeners.
Uniqueness probably doesn't have much real value in that context.
Note that the listeners don't really care or know either way, it's more of a philosophical/method question with no consensus even in the ambient community. It's a genre where it's completely possible to produce a credible piece just by connecting three plugins- an algorithmic sequencer, sample player like above and a reverb, and record the output for 11 and half minutes... but is this creating or composing music?
Totally agree with you. I am on "old" dude and grew up with early Eno. Keep the faith!!
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The Sounds of the Hear and Now.
This is a niche product I suppose. Maybe for heavy Kontakt users that don't want to get into software synthesizers at all, but want a bit of pre produced sci-fi fantasy style sounds to add to an orchestral movie/game style tracks.
Perhaps for users with weedy CPU laptops that cannot cope with the better software synths and additional FX?
It's funny to think that tens of gigabytes of sound libraries are being made from tens of megabytes of synths!
Even so I hope it sells well and finds its place in the market.